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Kim Cattrall

In the movie Meet Monica Velour, Kim Cattrall plays a washed-up ’80s porn star obsessed over by a 17-year-old nerd who drives across the country to meet her. The Sex and the City Star transformed herself to play the character, putting on weight and sporting a ratty bleached hairdo. But at the film’s premiere on Tuesday, Cattrall was, thankfully, back to her lovely self, sleekly coiffed and svelte in a gray dress by host Pamella Roland.

Cattrall did some unusual research for this role. “I went with Keith Bearden, the director, to some strip clubs, which was … interesting,” she said. “And I watched quite a bit of porn from the ’70s and then a lot of documentaries about porn film stars and sort of where they are now, where they were then, which was really informative.”

We bet.

Her young co-star, Dustin Ingram, who was 18 when they shot the movie, expected to be intimidated by Cattrall, who is in her 50s, but he says she put him at ease immediately. 

“I felt so comfortable the second I met her, and that’s a testament to her heart,” he said. “The very first scene that we rehearsed, like the first time I met her, was the big makeout scene, and it was the most comfortable thing in the world,” he added. “Nothing awkward at all.”

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Flocons de Sel Relais et Château restaurant

The Flocons de Sel, a Relais et Château restaurant and inn nestled in the mountains above the enchanting village of Megève (the French version of Vail) more than deserves its two Michelin stars.

Upon arrival at the hilltop chalet, one is greeted by courtly young Frenchmen so handsome they could bring out the wayward Mrs. Robinson instincts in a nun. These dapper hotties—forgive me, staff people—usher patrons (read, Mrs. Robinson, aka me, and her family and friends) into the high-ceilinged dining room overlooking the majestic peaks of the Aravis mountains, which on that evening were swathed in semidiaphanous clouds.

While the adults consulted the menu, the children were invited into the kitchen to meet the chef, make their food selections for the evening, and begin to prepare them. This stroke of genius helped the young ones pass the three hours without growing restless or wishing they were playing video games at Chuck E. Cheese.

As for the food, it was light, inventive, yet classic. After an amuse-bouche of dry polenta with a sprinkling of fresh truffles—a Proustian experience for this Mrs. Robinson, who grew up on Italian polenta and Haitian cornmeal—we feasted on asparagus tart and fresh roasted pigeon.

The pièce de résistance, however, was the potatoes in a gratine of Reblochon, the famous local cheese. The name is derived from the ancient tradition of the herders milking (blocher) the cows twice (hence the “re”), the first time for the owners, the last time for themselves. This second phase yields the richest milk.

The dish was so creamy and unctuous, I didn’t know whether to eat it or bathe in it. At meal’s end, the children were brought back into the kitchen for dessert and emerged with gossamer clouds of cotton candy (known in French as “barbe à papa,” who’s YOUR daddy?). Like the clouds outside, they reminded us that we were on top of the world. Here’s to Chef Emmanuel Renaut getting his third star. If waiters’ looks were factored in, he’d have 10.

Péché Mignon/Cute Sin of the Day: Other than checking out men young enough to be my sons … the chocolate bark (known in Megève as “casse-noisette”) at the charming Comptoir du Père Soutine, a teahouse and confiserie not to be missed.

What the French wear for après-ski dinners: chinchilla chubbies and leather pants, or bedazzled activewear for the women; wide-wale corduroy pants and bright-colored cashmere sweaters they’ve had for decades, i.e., country casual, for the men. Fireside ease and comfort seem to be the order of the day, but then again, I wouldn’t try that in St. Moritz …

Photo: An interior shot of the Relais et Château

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Parfumerie de Megève

It’s spring, and a not-so-young woman’s thoughts turn to wrinkle prevention.

Dear reader, I find myself in the charming French mountain village of Megève, a medieval hamlet turned ski resort complete with an Hermès outpost suitably positioned in the center of the village square … right beside the church. All hail the sine qua non of luxury leather goods!

While searching for a moisturizing sunscreen capable of protecting me from the glaring alpine rays, I happened upon the Parfumerie de Megève, a well-stocked jewel box of cosmetics and such tucked into a cobblestone side street (directly across from a casting of Rodin’s The Kiss).

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I love a contemporary art party, especially a cutting edge one with lots of sizzle.

Wonder where anyone was going to pair the over-the-top Cesare Paciotti shoes with the borderline Dolce outfit?

Art party.

The eccentric 'do you thought only La Roux's lead singer could wear on stage?

Art party.

The very white, almost Kabuki makeup that obscures all but the deep red lips?

Art party.

And where on earth you'd find all these looks in a room teeming with celebrities, fashion people, and the crème de la crème of society?

Art party.

The East End of London was buzzing on March 24, specifically the Whitechapel Gallery. One of the most highly regarded contemporary art venues in the world, its annual party celebrates the fusion of art with another cultural discipline. And this year, that discipline was theater (spelled "theatre" in England, thank you very much).

The Art Plus Drama Party was packed with 400 art and drama aficionados who came to watch respected actors such as Jonathan Pryce perform dramatic pieces written by established contemporary artists, including Barbara Kruger, Lynda Benglis, and Vito Acconci.

The benefit—sponsored by Tod's with Harper's Bazaar U.K. serving as a media partner—also included an auction of artworks by Nan Goldin, Lawrence Weiner, and others, with the proceeds going toward "[bringing] the arts to children and young people from all backgrounds, and to [providing] a platform for artists around the world," according to Whitechapel director Iwona Blazwick.

Tod's Chairman and CEO Diego Della Valle is deeply committed to supporting the arts, from every century and every discipline. Earlier this year he donated €25 million to restore the Colosseum in Rome. That's a lot of driving shoes.

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